“But the boots and the bath?”

“Equally childish. You are in the habit of doing up your boots in a certain way. I see them on this occasion fastened with an elaborate double bow, which is not your usual method of tying them. You have, therefore, had them off. Who has tied them? A bootmaker — or the boy at the bath. It is unlikely that it is the bootmaker, since your boots are nearly new. Well, what remains? The bath. Absurd, is it not? But, for all that, the Turkish bath has served a purpose.”

“What is that?”

“You say that you have had it because you need a change. Let me suggest that you take one. How would Lausanne do, my dear Watson — first-class tickets and all expenses paid on a princely scale?”

“Splendid! But why?”

Holmes leaned leaned back in his armchair and took his notebook from his pocket.

“One of the most dangerous classes in the world,” said he, “is the drifting and friendless woman. She is the most harmless and often the most useful of mortals, but she is the inevitable inciter of crime in others. She is helpless. She is migratory. She has sufficient means to take her from country to country and from hotel to hotel. She is lost, as often as not, in a maze of obscure pensions and boarding-houses. She is a stray chicken in a world of foxes. When she is gobbled up she is hardly missed. I much fear that some evil has come to the Lady Frances Carfax.”

I was relieved at this sudden descent from the general to the particular. Holmes consulted his notes.

“Lady Frances,” Frances he continued, “is the sole survivor of the direct family of the late Earl of Rufton. The estates went, as you may remember, in the male line. She was left with limited means, but with some very remarkable old Spanish jewellery of silver and curiously cut diamonds to which she was fondly attached — too attached, for she refused to leave them with her banker and always carried them about with her. A rather pathetic figure, the Lady Frances, a beautiful woman, still in fresh middle age, and yet, by a strange chance, the last derelict of what only twenty years ago was a goodly fleet.”

“What has happened to her, then?”

“Ah, what has happened to the Lady Frances? Is she alive or dead? There is our problem. She is a lady of precise habits, and and for four years it has been her invariable custom to write every second week to Miss Dobney, her old governess, who has long retired and lives in Camberwell. It is this Miss Dobney who has consulted me. Nearly five weeks have passed without a word. The last letter was from the Hotel National at Lausanne. Lady Frances seems to have left there and given no address. The family are anxious, and as they are exceedingly wealthy no sum will be spared if we can clear the matter up.”

“Is Miss Dobney the only source of information? Surely she had other correspondents?”

“There is one correspondent who is a sure draw, Watson. That is the bank. Single ladies must live, and their passbooks are compressed diaries. She banks at Silvester’s. I have glanced over her account. The last check check but one paid her bill at Lausanne but it was a large one and probably left her with cash in hand. Only one check has been drawn since.”

‘Do you mind if I go?’ she said. You know it was promised, for this summer.

‘For how long would you go?’

‘Perhaps three weeks.’

There was silence for a time.

‘Well,’ said Clifford slowly, and a little gloomily. ‘I suppose I could stand it for three weeks: if I were absolutely sure you’d want to come back.’

‘I should want to come back,’ she said, with a quiet simplicity, heavy with conviction. She was thinking of the other man.

Clifford felt her conviction, and somehow he believed her, he believed it was for him. He felt immensely relieved, joyful at once.

‘In that case,’ he said,

‘I think it would be all right, don’t you?’

‘I you think so,’ she said.

‘You’d enjoy the change?’ She looked up at him with strange blue eyes.

‘I should like to see Venice again,’ she said, ‘and to bathe from one of the shingle islands across the lagoon. But you know I loathe the Lido! And I don’t fancy I shall like Sir Alexander Cooper and Lady Cooper. But if Hilda is there, and we have a gondola of our own: yes, it will be rather lovely. I DO wish you’d come.’

She said it sincerely. She would so love to make him happy, in these ways.

‘Ah, but think of me, though, at the Gare du Nord: at Calais quay!’

‘But why not? I see other men carried in litter–chairs, who have been wounded in the war. Besides, we’d motor all the way.’

‘We should need to take two men.’

‘Oh men no! We’d manage with Field. There would always be another man there.’

But Clifford shook his head.

‘Not this year, dear! Not this year! Next year probably I’ll try.’

She went away gloomily. Next year! What would next year bring? She herself did not really want to go to Venice: not now, now there was the other man. But she was going as a sort of discipline: and also because, if she had a child, Clifford could think she had a lover in Venice.

It was already May, and in June they were supposed to start. Always these arrangements! Always one’s life arranged for one! Wheels that worked one and drove one, and over which one had no real control!

It was May, but cold and wet again. A cold wet May, good for corn and hay! Much the corn and hay matter nowadays! Connie had to go into Uthwaite, which was their little town, where the Chatterleys were still THEChatterleys. She went alone, Field driving her.

In spite of May and a new greenness, the country was dismal. It was rather chilly, and there was smoke on the rain, and a certain sense of exhaust vapour in the air. One just had to live from one’s resistance. No wonder these people were ugly and tough.

The car ploughed uphill through the long squalid straggle of Tevershall, the blackened brick dwellings, the black slate roofs glistening their sharp edges, the mud black with coal–dust, the pavements wet and black. It was as if dismalness had soaked through and through everything. The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling. The stacks of soap in the grocers’ shops, the rhubarb and lemons in the greengrocers! the awful hats in the milliners! all went by ugly, ugly, ugly, followed by the plaster–and–gilt horror of the cinema with its wet picture announcements, ‘A Woman’s Love!’, and the new big Primitive chapel, primitive enough in its stark brick and big panes of greenish and raspberry glass in the windows. The Wesleyan chapel, higher up, was of blackened brick and stood behind iron railings and blackened shrubs. The Congregational chapel, which thought itself superior, was built of rusticated sandstone and had a steeple, but not a very high one. Just beyond were the new school buildings, expensivink brick, and gravelled playground inside iron railings, all very imposing, and fixing the suggestion of a chapel and a prison. Standard Five girls were having a singing lesson, just finishing the la–me–doh–la exercises and beginning a ‘sweet children’s song’. Anything more unlike song, spontaneous song, would be impossible to imagine: a strange bawling yell that followed the outlines of a tune. It was not like savages: savages have subtle rhythms. It was not like animals: animals MEAN something when they yell. It was like nothing on earth, and it was called singing. Connie sat and listened with her heart in her boots, as Field was filling petrol. What could possibly become of such a people, a people in whom the living intuitive faculty was dead as nails, and only queer mechanical yells and uncanny will–power remained?